Calarts character animation
3rd year 8D
Class of 2012, then.
http://otherwise.deviantart.com
Wednesday, August 12, 2009
Some Japanese monsters from Hell and I SWEAR that severed head looked better designed before I put it on the stake. *fume* These spirits seem to be called "ox-head" and "horse-head" (for.... obvious reasons) but damned if I can figure out what they're FOR. My understanding of Japanese demons is that every once in a while, someone would go: "Hey, we haven't made enough creepy-looking crap lately. How about a guy with a mop for a head?" And they make up the story afterward.
I'm not terribly attached to the colored versions. Since obviously it's the linework that ought to be the focus here, I'm wondering if I should really color them at all.
Trying to nail down the look of Ms. M, a powerful hell-demon of the House of Greed. (She's a long-standing character except that I recently made her female because she got boring as a guy.) Recently, though, she got in a mysterious accident that seems to have taken a lot of her memory and a good chunk of her mind as well. Now she cooks.
I was talking with an incoming freshman who has a lot of really great fully-rendered images..... and I felt bad that I didn't have any. :( So here's my attempt at it! Backlighting EVERYWHERE.
This was a small commission and I think it marks really the first thing that's been decent since I got back from Italy because well, the girl it was meant for liked it. XD Actually I like it too, as I am prone to do of anything new, but he does look a lot like Muntz, doesn't he? I really like Muntz (one of my favorite Pixar villains, I think), but I don't like the prospect that every skinny old guy I draw is likely to turn out looking like him. D:
Well, here's a kind of fat old guy? A preview from the Japanese music video I'm working on, although really I'm beginning to lose confidence a little.... :x The idea was that I would focus on the design aspect and have more of a "moving image" rather than real animation. That's because the whole thing is 4 minutes long--originally it was a relatively small segment of animation and the rest was footage, but the situation has shifted rather out of my favor in that department. :x
I'm doubting my ability to do a proper job in the time allotted, and I'm wondering if it's going to pay off in the end. This leads to all kinds of troublesome contemplations.... am I wasting my summer? What am I supposed to be doing with summer, actually? What do most people do with summer? Why can't I think of anything better to draw (seriously)? To make matters worse I'm supposed to be seeing Thief and the Cobbler (Recobbled) with a friend this weekend, which is not exactly a movie that tells you, "Hard work will pay off in the end." (Well, not the movie itself, but the drama surrounding it.)
I got WICKED ILL the last few days. . . . I was fine, and then this cough started, and it's been downhill from there. . . .
I hadn't had the energy to draw at all. :( It's awful. Plus, just coming back from vacation, I had a lot of time to stew over what I'm not very good at. A lack of confidence seems to have driven back my design sense into the STONE AGE. . . . I finally drew a little today, but I couldn't hit anything on the nose, like "Ah! That's how I want it to look!"
But I did TRY. . . . A VAMPIRE!! Oh btw, it's a creepy old vampire. :P And little Former, a much younger vampire, in cute bat form!!
I was rethinking an old character I had.... an old, very traditional vampire named Mr. Wilson who is like a mentor to little Former, who is so awkward he can't get close enough to a human to suck their blood. Wilson's new incarnation is an old classy charmer . . . however, on this first pass I'm getting a bit too much gayness. 8|
My first-year film. :D I was lucky enough to have it included in the Producer's Show--actually a record number of freshmen got in this year. Watching the show is very surreal, though. The open show is very loud, which has the charm of removing the awkward to some extent--in the Producer's Show, a string of animations can go by with only a lukewarm applause at the end of each one, especially if you're lagging into the second half. I got intensely flustered about my position between three senior films and went spinning off somewhere and couldn't focus.
With that Show ended, the year is basically over. The only thing to do in Character Animation is to creep through abandoned cubes and go through the motions of trying to enjoy all the performances and shows you said you were going to go to once you were done with your film.
Here's some things I think I know: 1. As soon as you get to Calarts, the astounding achievement of having gotten into Calarts becomes immediately unimpressive. 2. Color and Design is a weird class. I'm still not sure I learned anything except how to follow strict instructions. 3. Story by Robert McKee was actually worth reading, but Story for Animators isn't so much worth taking. 4. Storyboarding is mysterious. So is storyboarding class. 5. Sometimes a bad rig happens. 6. Figure drawing is pretty creativity expression time, not learning time (unless you force yourself to learn). 7. BIGGEST REGRET: being stuck with the cafeteria food!! It's not awful, but the monotony of taste makes it absolutely unbearable. 8. Some people have REALLY GREAT music libraries. 9. If you went to CSSSA, the weather in the first three weeks and the last weeks of school will be very disorienting. It feels and smells much like CSSSA. 10. Interaction with other departments is optional. 11. Love Sushi has the cheapest, best sushi in possibly the whole world. 12. Getting out of critical studies classes is a good thing. 13. People are nice but it takes a long time to figure that out. It takes me a long time to figure that out.